Christopher Abbott

“For me, more than just delivering a good performance, what matters is hearing somebody say, ‘I’ve never seen that before. I thought that was something that only existed in my memory or my life.’ Those are the things I strive for whenever there’s an opportunity to do it.”

-Christopher Abbott, episode 455 of Talk Easy with Sam Fragoso

Christopher Abbott is one of the finest actors of his generation. He joins us this week from the Winter Garden Theatre, where he plays Biff Loman in the latest Broadway revival of Death of a Salesman opposite Nathan Lane and Laurie Metcalf. 

Fresh off nine Tony nominations, we sit with Abbott to unpack is volatile and vulnerable portrayal of Biff (3:00), the renewed relevance of Arthur Miller’s critique of the American dream (6:00), and how he produces his intense performance, eight shows a week (8:30). Then, we walk through his upbringing in Greenwich, Connecticut (16:00), the working-class roots that shaped his approach to acting (25:00), and why he kept walking toward the stage (27:00).

On the back-half, we discuss Abbott’s lean years auditioning in New York City (32:00), his breakthrough role in Girls (42:19), creating work in the mold of John Cassavetes and Gena Rowlands (46:00), his journey to parenthood with Aubrey Plaza (1:02:00), and his lasting transformations in the films James White (1:05:00) and On the Count of Three (1:07:00). To close, we talk about his return to Girls in “The Panic in Central Park” (1:08:35), finding a home in the theater with Danny and the Deep Blue Sea (1:18:00) and now Death of a Salesman (1:20:40), and naturally, the New York Knicks (1:24:30).